The Knockout Artist, with lengthy inscriptionNew York: Harpers and Row, 1988. Hardcover with lengthy inscription on perseverance and self discovery from Harry Crews to a local Washington state bookseller named Joe Collins. Pictorial DJ over boards in maroon cloth. Gilt letters stamped on spine. DJ shows scuffing to rear cover, all else fine. Book fine, 269 pp.

Al Capone in the federal pen

Suzanne Fletcher

in an innovation of Crepax’s own — she crosses paths with King Kong

Evans forms a typological framework of Germany society under Nazi rule from the top down

and level the surrounding jungle

Printed in three colors that reflect the various “voices” of the book

just before a Senate hearing and the institution of the Comics Code banned the use of the word "Crime" from even appearing in a comic's title

In one of them

now turned maxim

also presented is a post-Code one-shot

Epicly Later’d collects the best of the blog into a body of work that’s evocative

Yet we are not living in more just and democratic societies as a result