Nielsen/ Mogensen - Ophelia DancesThe idea of building great music from modest or fragmentary means has characterized the work of Nordic composers for generations. In Svend Hvidtfelt Nielsen's music, that idea finds a particularly exquisite and absolutely contemporary expression. In Toccata the music glances towards a filmic chase down, whereas Nielsen in Ophelia Dances claims to 'hear the dancing' of that fragile character from Shakespeare's Hamlet. The album concludes with Nielsen's

A visionary critique of American expansionism

more intense

"And we're also trying to interpret and write new music that we're inspired to play that's relevant to our generation

doubtless reflecting it's troubled times

'September In The Rain'

" is the hornist's reaction to Mozart's chamber works for the instrument

Soprano Roberta Mameli offers us a complex and seductive portrayal of the title role

This album magnificently displays these pieces by exploiting the rich dynamics and full polyphonic capacity of the guitar

Larry Penn did not always aspire to be a folk musician

at the center of which stands the original version of Symphony No

Sophie Karth user - Am Rande Der Nacht

Both works are influenced by Navarro-Alonso's great interest in classic electroacoustic effects such as delay