B JenkinsFred Moten The fourth collection of poetry from the literary and cultural critic Fred Moten, B Jenkins is named after the poets mother, who passed away in 2000. It is both an elegy and an inquiry into many of the themes that Moten has explored throughout his career: language, music, performance, improvisation, and the black radical aesthetic and political tradition. In Motens verse, the arts, scholarship, and activism intertwine. Cadences echo from

part bibliophilic anthem

Lucy Mercer

Following the Attica prison uprising in September 1971

Ze schrijft bovendien in het Galicisch

Armies haunt my homeland still

Luuk Gruwez & Thomas Möhlmann

Bernadette Mayer and Maya Deren into dialogues and visions that articulate the tension between embodiment and voice

Deze bundels fungeerden als poëtisch voorland voor het bejubelde en bekroonde Roeshoofd hemelt

with particular attention to the horrors of the Gwangju Uprising of May 1980

its brightness measured by the darkness it casts

Hannah Weiner

JJJJJerome Ellis’s The Clearing asks how stuttering