Bag LadyFrom the Artist My earliest prints at Brandywine [Workshop and Archives, Philadelphia, in 1985] related to festivities such as Carnival (Brazil), Mardis Gras (New Orleans), Jonkonnu (Jamaica), and other Caribbean and American African based festivals, with their spectacular imagery and costumes. As in such festivals, my earlier prints were tinged with Eurocentric pageantry, costumes, and religions, although African ancestral imagery predominated. The

the effect is quietly destabilizing

This "shield" series is the exploration of the figure/figures in water

—Excerpted from https://kathleenspicer

—From Brandywine Workshop and Archives

is a writer who is an associate editor at a leading magazine in New York

to introduce hidden structural grids

In my use of this material

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the concerns that are particular to me

His dynamic art style is fresh and evocative

and what she knows is the result of years of perfecting and instilling a method and an approach that

Train follow tracks leading to ends and beginnings