Pagsapit ng Pasko by Isen AlejoIn John Singer Sargent's Carnation, Lily, Lily, Rose, two girls are depicted lighting Chinese lanterns in the early evening. Isen's reinterpretation Pagsapit ng Pasko replaces those lanterns with glowing Parol lanterns, which Filipinos traditionally use to ornate their abodes with when Christmas season rolls around. The title takes on some wordplay, as pagsapit roughly translates to 'arrival', while also rhyming with the word pagsabit which refers to

For his piece

This artwork reimagines Boy with a Basket of Fruit with a Singaporean context

which can sometimes be deemed too "exotic" to the uninitiated

while she is seeing herself

Think back to those carefree childhood days of playing and camping by the sea

At its core

utilises layered grain brushes in homage to Seurat's pointillism technique

Gustav’s iconic Art Nouveau style features heavy use of abstraction

nasi lemak bungkus

nor is she the harbinger of God’s salvation like most of her depictions in the Power of Women trope

specifically from the Renaissance has often been one of comedic role reversal

while the placement of Frida Kahlo in front of a mirror serves as a symbol of self-reflection